广场与卧室——《呐喊》《彷徨》中的叙事场所探究  

Squares and Bedrooms:A Study of the Narrative Places in Cryout and Wandering

作　　者：白永琪 BAI Yong-qi(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116081)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《阴山学刊》2020年第5期33-36,共4页Yinshan Academic Journal

基　　金：内蒙古自治区高等学校学术期刊“名栏建设”项目NJMZ170

摘　　要：鲁迅的短篇小说集《呐喊》《彷徨》涉及为数颇多的叙事场所,大致可分为两类:广场和私人空间,其中广场的数量占绝对多数。这两类叙事场所承担的意义功能明显不同,前者是国民性批判的典型场域,在其中的人物携带着民族的性格弱点;后者则把人物的典型性置换成富蕴七情六欲等各种私人情绪的人性,还原“人”的本来面目。两类场所的不同意义功能折射出鲁迅为代表的“五四”主流知识分子的启蒙立场。Lu Xun’s collection of short stories Cryout and Wandering involve a large number of narrative places,which can be roughly divided into two categories:squares and the private spaces and the squares have the absolute majority.The square is the typical field of national character criticism,in which the characters carry the weakness of national character;the private spaces replace the typicality of the characters with the humanity of various personal emotions,restoring the original appearance of“human”.The different meanings and functions of the two kinds of places reflect Lu Xun’s stand of enlightenment as the representative of the mainstream intellectuals of the May 4th movement.

关 键 词：鲁迅 《呐喊》 《彷徨》 叙事场所 启蒙立场 

分 类 号：I210.6[文学—中国文学]