从女性主义地理学看李清照和朱淑真的创作  

On the Creations of Li Qingzhao and Zhu Shuzhen from the Perspective of Feminist Geography

作　　者：林晓娜[1] 李胜男 LIN Xiao-na;LI Sheng-nan(College of Liberal Arts,Shantou University,Shantou,Guangdong 515063)

机构地区：[1]汕头大学文学院中文系,广东汕头515063 [2]汕头大学文学院,广东汕头515063

出　　处：《汕头大学学报（人文社会科学版）》2020年第6期80-84,96,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：2018年汕头大学文学院“女性文化/文学”专项研究项目“女性主义视角下的李清照、朱淑真比较研究”。

摘　　要：女性主义地理学主要研究女性与空间之间的互动关系,从女性主义地理学的角度来比较研究李清照、朱淑真,可从社会空间、家庭空间、闺阁空间、女性身体空间等角度入手。首先,社会空间在限制出行范围、控制婚姻自主权、限定受教育范围这三方面对李清照、朱淑真的性别塑造产生影响,家庭空间为李清照和朱淑真提供了良好的经济条件和文学教育,闺阁空间内的长期独处导致二人审美空间狭窄,审美感受以孤独感为主,而婚姻的幸与不幸影响了两人的文学之路。其次,李清照和朱淑真都具有多情、敏感的女性身体空间特质。这种特质使得朱淑真的诗词呈现出“纯女性书写”的风格,而李清照独有的好胜特质与遭遇家国变故的经历,使其创作具有“雌雄同体”的风格。Feminist geography mainly studies the interaction between women and space.It provides a comparative study of Li Qingzhao and Zhu Shuzhen with such perspectives like social space,family space,boudoir space and the space of female body.First,social space shapes the personality of the two poetesses by limiting their activity,marriage and education;family space gives them good finance state and literary education,and the long solitude in boudoir space narrows their aesthetic space.Secondly,both poetesses demonstrate tenderness and sensitivity,charateristics of female body space which made Zhu Shuzhen’s works display a style of“pure female writing”,and made Li Qinzhao’s works androgynous when combined with her distinctive competitiveness.

关 键 词：女性主义 地理学 李清照 朱淑真 

分 类 号：I206.2[文学—中国文学]