象思维与中国古代文论精神  

Xiang Thinking and the Spirit of Ancient Chinese Literary Theory

作　　者：张绍时 Zhang Shaoshi

机构地区：[1]长沙学院影视艺术与文化传播学院,湖南长沙410022 [2]湖南师范大学中国乐学研究中心,湖南长沙410081

出　　处：《河南社会科学》2020年第12期99-105,共7页Henan Social Sciences

基　　金：湖南省教育厅优秀青年科研项目“先秦象论与中国古典文艺美学精神研究”(19B063)。

摘　　要：象思维是先秦人们一种基本思维方式,它在一定程度上决定了中国传统文化的精神风貌,尤其是对中国古代文论的超越精神、生命精神、诗性精神有着重要影响。象思维之“观象”不同于日常生活中的目视之观,而是在物我相融的整体之观中把握“道”。中国古代文论“观象”也以“道”作为最高境界。象思维之“取象”不是简单地取事物外形,更注重取其内在生命精神,中国古代文论“取象”也注重取其“神”“气”“韵”等生命特征。象思维之“立象”是以富有诗性的象喻方式言说,中国古代文论也多采用“立象尽意”的诗性方式言说。中国古代文论的超越精神、生命精神、诗性精神三者密切相关,体现出异于西方文论的精神意蕴。Xiang thinking is a basic way of thinking in the pre-Qin Dynasty.It determines the spiritual outlook of traditional Chinese culture to a certain extent,and especially has an important influence on the spirit of transcendence,life and poetry of ancient Chinese literary theory.The“view image”of Xiang thinking is different from the view of sight in daily life,but grasps the“Tao”in the overall view of the fusion of material and self.The“view image”of ancient Chinese literary theory also takes“Tao”as the highest The pursuit of realm.The“picking of images”of Xiang thinking is not simply taking the shape of things,but paying more attention to the life characteristics.The“picking of images”of ancient Chinese literary theory also pays attention to the life characteristics of“shen”,“qi”and“rhyme”.The“establish imaging”of Xiang thinking is expressed in a poetic way of imagery and metaphor.Ancient Chinese literary theory also adopts the poetic way of“Establish image to express the meaning”.The spirit of transcendence,life spirit,and poetic spirit of ancient Chinese literary theory are closely related,reflecting the unique spirit of the Chinese nation that is different from Western literary theory.

关 键 词：象思维 超越 生命 诗性 

分 类 号：I025[文学—文学理论]