超越性:蒋孔阳面向未来的美感论  

Transcendence of Jiang Kongyang's Future Oriented Aesthetic Theory

作　　者：张弓 仇强祥 ZHANG Gong;QIU Qiang-xiang(School of Communication,East China University of Politics and Law,Shanghai 201620,China)

机构地区：[1]华东政法大学传播学院,上海201620

出　　处：《宁波大学学报（人文科学版）》2021年第1期26-31,共6页Journal of Ningbo University：Liberal Arts Edition

基　　金：上海市艺术科学规划项目“习近平文艺思想人民性研究的地方方案——上海以人民为中心办国际电影节为例”(YB2020A02)。

摘　　要：蒋孔阳《美学新论》提出了多层累、开放性、创造性的“实践创造论”美感论。这个美感论超越西方近代认识论美学和庸俗社会学的美感论,把美感看作是满足感、愉快感、幸福感、和谐感和自由感等多种审美感受的统一体;超越单一心理因素的美感论,把美感看作是人类整个心理活动的整体,并详细地分析了各种心理因素;超越了形而上学的美感论,辩证地揭示了人类的美感在社会实践中生成、变化、发展的过程。蒋孔阳的美感论超越性,可以引领建设有中国特色面向未来的当代美学。Jiang Kong yang put forward in the New Theory of Aesthetics a multi-level,open and creative aesthetic theory which transcends the aesthetic theory of western modern epistemology and vulgar sociology.He regards human aesthetic feeling as the unity of many kinds of aesthetic feelings,such as satisfaction,pleasure,happiness,harmony and freedom.It also transcends the aesthetic theory of single psychological factors,and regarding aesthetic feelings as the whole of human whole psychological activities,it analyzes various psychological factors in detail.It also transcends the metaphysical aesthetic theory,and dialectically reveals the process of the generation,changes and development of human aesthetic feeling in social practice.The transcendences of Jiang Kongyang's theory of practical creation aesthetics can guide the construction of Chinese contemporary aesthetics with Chinese characteristics and future orientation.

关 键 词：蒋孔阳 实践创造论美学 美感论 超越性 

分 类 号：B83-06[哲学宗教—美学]