审美现代性:当代中国的情感民族志初探  

The Aesthetics of Modernity:A Preliminary Exploration on the Ethnography of Emotions in Contemporary China

作　　者：王杰[1] 石甜[2] Wang Jie;Shi Tian(College of Media and International Culture,Zhejiang University,Hangzhou 310058;School of Humanities,Shanghai Jiao Tong University,Shanghai 200240)

机构地区：[1]浙江大学当代马克思主义美学研究中心,杭州310058 [2]上海交通大学人文学院,上海200240

出　　处：《浙江社会科学》2021年第1期124-129,159,共7页Zhejiang Social Sciences

基　　金：国家社科重大项目“当代美学的基本问题与批评形态研究”(15ZDB023)阶段性成果。

摘　　要：本文以中国当代文艺作品为对象,探索当代中国社会的情感民族志,尝试提炼当代中国社会的情感结构,以进一步探索中国审美现代性的问题。当代中国存在的一个现实问题就是中华民族文化的断崖式断裂。市场经济中的西方化潮流,导致当代中国社会的情感结构呈现多重语境的叠合状态。通过当代文艺的情感民族志研究,可以对多重语境叠合下作品的意义进行分析,进一步探索中国审美现代性的相关理论。This paper explores the ethnography of emotions in contemporary Chinese society,attempts to define the structure of feeling,and further examines the aesthetics of modernity in China.On the one hand,a real problem in contemporary China is the precipitous rupture of national culture.On the other hand,the trend of Westernization in the market economy has contributed to the overlapping of multiple contexts in the structure of feeling.The ethnography of emotions in contemporary art could provide an approach to interpret the meaning of artworks in the overlapping of multiple contexts and analyze the aesthetic modernity in China.

关 键 词：情感民族志 审美现代性 文艺作品 当代 

分 类 号：I01[文学—文学理论]