窑窑相聚,陶陶而语——明清以来湖北土陶中的文字装饰研究  

The Ceramic Kilns Communicate with Each Other--The Expression of Characters in Hubei Earthen Pottery

作　　者：吕枫韵[1] 王婧怡 颜学森 Lv Fengyun;Wang Jingyi;Yan Xueshen(Central China normal university,Wuhan,430079,China)

机构地区：[1]华中师范大学,武汉430079

出　　处：《陶瓷研究》2020年第6期1-6,共6页Ceramic Studies

基　　金：国家社科基金艺术学项目《湖北土陶艺术研究》(批准号:18BG136)。

摘　　要：文字以纹样、书法、语音和意味等的形式与陶瓷造型结合在中国陶瓷史上有着悠久的历史,明清以来湖北民窑烧制了大量的文字类陶器,这些陶器所选择的文字内容丰富,应用书写的字体多样,编排的形式讲究,书写刻绘的技巧灵活。透过湖北明清以来遗留的大量文字陶,能解读这五百多年的湖北历史,能观多彩斑斓的荆楚风貌。可探析它的题材内容与书体选择、形式编排与刻绘技巧的艺术语言,并能深入解读潜藏其后的文化意蕴和审美意趣。It has a long history that characters are combined with ceramic modeling in the form of patterns,calligraphy,pronunciation and meaning in the history of Chinese ceramics.Since Ming and Qing Dynasties,a large number of pottery with characters have been fired in Hubei folk kilns.These characters selected by Tokisho are rich in content,with various applied fonts,exquisite arrangement forms,flexible writing and engraving skills,and free and easy.Through writing pottery,we can interpret the history of Hubei for more than 500 years,and see the colorful scenery of Jingchu.This paper will study the subject matter,style selection,form arrangement and engraving skills of a large number of written pottery left over from Ming and Qing Dynasties in Hubei Province,and deeply interpret the hidden cultural implication and aesthetic interest.

关 键 词：湖北土陶 文字 形式 意蕴 

分 类 号：J0[艺术—艺术理论]