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作 者:潘链钰[1] PAN Lian-yu(College of Chinese Literature,Hunan Normal University, Changsha 410081, China)
出 处:《湖南大学学报(社会科学版)》2021年第1期102-108,共7页Journal of Hunan University(Social Sciences)
基 金:国家社会科学基金项目:周游三教视阈中的唐宋诗学转型研究(17CZW002)。
摘 要:皎然周游三教而终归于释,其《诗式》融承儒释道而自铸伟辞。《诗式》尤重儒家诗教,以“体”之角度确立儒家诗教的“诗体”论和儒家德化的“诗德”论。《诗式》亦缘采道家逍遥自然之旨。“高”“逸”两体既融通逍遥也挈领于辩体一十九字。“自然”观突破习惯思维,是精思锻造后的“至丽而自然”。《诗式》之“取境”与“作用”乃得佛教润染。“取境”最尚“高”“逸”,依托佛教之境无所依傍,且与佛教思想中的“绝对真实的精神本体”相通。“作用”则汲取佛教内心缘虑取境之功而极重创作之心理内容。Initially,Jiao-Ran was roaming around confucianism,buddhism and taoism,and then converted to Buddhism,his ShiShi inherited Confucianism and invented new words.Shi Shi is especially focused on Confucian poetry,ti from the Confucian poetry angle,established the poetry theory and the Confucian theory.Shi Shi draws Taoist carefree nature meaning.High and Yi is also based on the two body financing in BianTi nineteen words.The concept of nature breaks through the habit of thinking.It is the beauty and nature after the forged thinking.ShiShi's exit and function is running with buddhism.Environment is the high and Yi,relying on the Buddhist realm without relying on,and Buddhism thought in the absolute true spirit ontology.Zuoyong is considered the inner margin of Buddhism which promoted border work and psychological recreation of content.
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