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作 者:刘雨佳 LIU Yu-jia(Department of Chinese, Fudan University, Shanghai 200433)
机构地区:[1]复旦大学中文系,上海200433
出 处:《湘潭大学学报(哲学社会科学版)》2021年第1期174-179,共6页Journal of Xiangtan University:Philosophy And Social Sciences
基 金:国家社会科学基金重大项目“民国话体文学批评文献整理与研究”(15ZDB79)的研究成果。
摘 要:王闿运作为近代湖湘名士,在文、史、政治、教育等领域皆有建树。其《湘绮楼诗经评点》为晚近可见的最后一种《诗经》评点,而由于《诗经》在王闿运研究中所处的尴尬地位,其《诗经》评点历来乏人问津。然而这个不欲刊刻,仅仅用来课读子孙的文本却正好处于王闿运文学、经学与政治思想的交汇点上,且呈现出强烈的个性色彩,流露出浓厚的个人心绪。一方面,王闿运本着重“体”的思想,钩稽系连了《诗经》与后世诗、骚、文、赋等多种文体的源流关系,彰显了其具有“纯文学”意识的诗学观和“大文学”色彩的文章观。另一方面,该评点亦在不经意间表现出王闿运经历政治理想的失落之后仍然保有的臣子之心、士人情怀,这也是其人格精神中最不可磨灭的部分。As a modern celebrity in Hunan,Wang Kai-yun made some achievements in literature,history,politics,education and other fields.His Xiangqilou Comments on The Book of Songs is the last kind of commentary and annotation about The Book of Songs available in the recent past.However,due to the awkward position of The Book of Songs in the study of Wang Kai-yun,little attention has been paid to his comments on The Book of Songs.Nevertheless,this work,which was not meant to be published but only to be used as a reading text in teaching future generations,was just at the intersection of Wang Kai-yun’s literature,his study of Confucian classics and his political thought.Moreover,it showed a strong personality and an intense personal mood.On the one hand,in accordance with the principle of valuing“theme”,Wang Kai-yun combed and hooked up the source and course relationship between the Book of Songs and later poetry,prose,Cifu and other styles,which manifested Wang Kai-yun’s poetic view with the“pure literature”consciousness and his article view of“great literature”color.On the other hand,this kind of comments of his also inadvertently showed Wang Kai-yun’s official loyalty and scholar feelings after the loss of his political ideal,which was also the most indelible part of his personality spirit.
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