由“中”而来:中国形式美的起源、定型和内容  

“Zhong”(中)Produces the Beauty of Form in China and Its Origin,Forming and Contents

作　　者：张法 Zhang Fa

机构地区：[1]四川大学文学与新闻学院,四川成都610064 [2]北京大学美学与美育中心

出　　处：《学术研究》2021年第1期144-156,178,共14页Academic Research

摘　　要：中国形式美理论在远古的立杆测影活动中产生,特别是以数的九五之比和60°视角而凸显出来。以“中”为核心的观天活动,经过十字、万字、八角星形、亞形、式盘等多种方式演进,最后在易学中定型为九宫图和太极图,并融合先秦至汉的气论、阴阳、五行思想,形成了以九宫图和太极图为基础的中国形式美体系。中国形式美理论具有虚实—关联结构,九宫图主要与朝廷美学相关,太极图主要与宇宙美学相关,从而形成了中国形式美个体形式、朝廷形式、宇宙形式三者的整体结构关系。中国形式美的个体形式,需要与后两种形式关联起来,才能得到最后的理解。The beauty of form in China produced from the observation to astronomical phenomena on central pole which nine-five ratio and sixty angle came into being and the cross,fylfot,octagon,Ya-pattern and disk’type developed in many ways,and finally formed the Jiugong-diagram and Tianji-diagram in Yi-book that in the pre-Qin and Han times absorbed qi,Yin-yang and wu-xing ideas and became the main thoutht.The Jiugong-diagram relative with dynasty’s aesthetics and Tianji diagram cosmic aesthetics.Therefore the beauty of form in China shaped its characteristics which is the whole unity related the individual form with dynasty’s form and cosmic form.

关 键 词：中国形式美 观天之中 九宫图 太极图 个体—朝廷—宇宙关联结构 

分 类 号：B83-02[哲学宗教—美学] J120.9[艺术—艺术理论]