试析陕北民歌钢琴改编曲的文化背景与创作特征  

An Analysis of the Cultural Background and Features of Piano Arrangement of Folk Songs in Northern Shaanxi

作　　者：张娜 ZHANG Na(School of Art,Yulin University, Yulin 719000, China;Srinakharinwirot University, Bangkok 10110,Thailand)

机构地区：[1]榆林学院艺术学院,陕西榆林719000 [2]Srinakharinwirot University,泰国曼谷10110

出　　处：《榆林学院学报》2021年第1期32-35,共4页Journal of Yulin University

基　　金：陕西省教育厅哲学基地重点项目(19JZ064)。

摘　　要：改编曲作为钢琴曲创作的一种常用的形式,在西方钢琴音乐中占有较大份额,民歌钢琴改编曲是我国钢琴音乐发展过程中必不可少的重要内容,通过不同程度的改编与创作,民歌旋律与钢琴完美结合,使得广为流传的民歌旋律经久不衰,亦使钢琴音乐更加丰富多彩。课题以陕北民歌钢琴改编曲为例,探讨地域文化对作品的创作思维及艺术品格的影响,进一步研究陕北民歌钢琴改编曲的创作特征,以期能更加深入的了解中国民歌钢琴改编曲的创作特色及其艺术价值,彰显陕北民歌文化自信。Piano arrangement,a common form of recomposition,accounts for a large proportion of western piano music.The piano arrangement of folk songs also plays an essential part in the development of piano music in China.Through different degrees of arrangement and creation,the melody of folk songs is perfectly combined with the piano,which popularizes folk melodies and enriches the piano music.Taking the piano arrangement of folk songs in Northern Shaanxi as an example,this paper explores the relationship between regional culture and music arrangement.This study may promote the understanding of the creative characteristics and artistic value of the piano arrangement of Chinese folk songs,which helps highlight the culture confidence in Northern Shaanxi folk songs.

关 键 词：陕北民歌 钢琴 改编 创作特征 

分 类 号：G624.1[文化科学—教育学]