从庐隐“问题小说”审视“五四”时期传统女德的现代转化  

A Review of the Modern Transformation of Traditional Female Virtues in May Forth Era from Lu Yin’s Problem Novels

作　　者：尼莎 NI Sha(School of Philosophy,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学哲学院,北京100872

出　　处：《科学．经济．社会》2020年第4期76-82,共7页Science Economy Society

基　　金：中国人民大学中央高校基本科研业务费专项资金资助“全球视野下儒家女性观的现代性转化——以清末民初文学作品作为样本的分析”(20XNH141)。

摘　　要：作为跃入现代的重要标志,女性解放成为"五四"时期的主流语境,女性作家群的出现更显现出完全不同于传统男性书写的独立人格与自主意识。作为"五四"女性作家群的代表人物,庐隐创作的"问题小说"在探讨女性生存状况的同时,也反映出新旧交替时期传统女德观念的价值变迁。本文以其"问题小说"为线索,从儒家传统礼教对女性规约的妇德、妇言、妇容、妇功四方面出发,探讨进入现代性进程之初的"五四"女性,在从湮没主体向道德自主、从角色书写向自我书写、从被他凝视向自我凝视、从家庭事务向社会事业的转化过程中,女性价值变化重塑的过程。As an important symbol of the leap into the modern era, women’s liberation became the mainstream context in the "May 4 th" period,meanwhile the emergence of female writers showed the independent consciousness completely different from the traditional male writing. As a representative personage in the May 4 th writers, Lu Yin’s Problem Novels not only depicted the living conditions of the women, but also reflected the value change of traditional female moral concept in the transition period. This paper takes her Problem Novels as the examples, starting from the four aspects of women’s morality, women’s words, women’s appearance and women’s tasks, to discusses the change and remodeling of women’s virtue in the process of the May 4 th entering into modernity.

关 键 词：庐隐 “问题小说” “五四”时期 妇女问题 妇德 

分 类 号：I24[文学—中国文学]