叶燮《原诗》的审美现代性浅析  

A Brief Analysis of Aesthetic Modernity of Ye Xie’s The Origin of Poetry

作　　者：崔悦 CUI Yue(School of Chinese Language and Literature,Yili Normal University,Yili 835000,Xinjiang;School of liberal Arts,Nanjing University,Nanjing 210093,China)

机构地区：[1]伊犁师范大学中国语言文学学院,新疆伊犁835000 [2]南京大学文学院,南京210093

出　　处：《合肥学院学报（综合版）》2021年第1期66-70,共5页Journal of Hefei University：Comprehensive ED

摘　　要：叶燮的《原诗》是一部自成体系的诗学著作,有着较强的系统性和独特性,突破了中国古典诗学以感性为主的传统。以“变”为核心观念和方法论基础,叶燮的《原诗》在开放性的文学发展论、以“情”为核心的文学创作论、审美的与历史的相结合的批评论中体现出强烈的审美现代性,并因此成为沟通古今文论和美学的桥梁。Ye Xie’s The Origin of Poetry is a theoretical work of poetry with its own system,which has strong systematization and uniqueness,breaking through the tradition of Chinese classical poetics focusing on sensibility.Taking“change”as the core concept and methodology as the foundation,Ye Xie’s The Origin of Poetry embodies a strong aesthetic modernity in the view of the open theory of literary development,the creation theory with“emotion”as the core,and the criticism theory combining aesthetics with history,so as to become a bridge between ancient and modern literary theory and aesthetics.

关 键 词：《原诗》 审美现代性 文学发展论 文学创作论 文学批评论 

分 类 号：I01[文学—文学理论]