穿越现实:中国当代艺术本土化问题透视之二  

Transcending Reality: A Perspective on the Localization of Chinese Contemporary Art(Ⅱ)

作　　者：时胜勋[1] Shi Shengxun(Peking University,Beijing 100871)

机构地区：[1]北京大学中文系,北京100871

出　　处：《新疆艺术学院学报》2021年第1期1-8,共8页Journal of Xinjiang Arts University

基　　金：国家社科基金艺术学项目“中国当代艺术话语范式研究”(项目编号:15BA011)阶段性成果。

摘　　要：从现实方向而言,中国当代艺术本土化有四个方面的体现:在意识形态的本土化上呈现价值光谱的热与冷,在社会生活的本土化上呈现从宏观到微观的转型,在自然的本土化上呈现景观、政治、文化的并置,在符号的本土化上呈现从策略化到精神化的深入。四者的经验在于,现实方向的中国当代艺术本土化不是一种对现实的被动反映,而是一种积极的文化建构,以思想性促进社会进步、以精神性铭刻历史真实、以文化性构建中国新文明,从而使中国当代艺术臻达更高的文化境界。From the realistic direction,the localization of Chinese contemporary art embodies in four aspects:showing the heat and cold of the value spectrum in the localization of ideology,and the transformation from macro to micro in the localization of social life,it presents the juxtaposition of landscape,politics and culture in the localization of nature and the depth from strategy to spirit in the localization of symbols.The experience of the four is that the localization of Chinese contemporary art in the direction of reality is not a passive reflection of reality,but a positive cultural construction,to promote social progress with ideology,to engrave historical truth with spirit,to construct new civilization with culture,so as to make Chinese contemporary art reach a higher cultural realm.

关 键 词：中国当代艺术 本土化 现实方向 文化建构 

分 类 号：J05[艺术—艺术理论]