刘敦愿与中国早期美术研究  

Liu Dunyuan and Early Chinese Aesthetic Studies

作　　者：郑岩[1] Zheng Yan

机构地区：[1]中央美术学院人文学院,北京100102

出　　处：《文史哲》2021年第2期157-164,168,共9页Literature,History,and Philosophy

摘　　要：刘敦愿的学术研究以对中国早期美术和考古的探索用力最深。他从欧洲考古学兴起和发展的历程,特别是对于古典时期艺术品的搜集与研究的历史,来讨论考古学与古代艺术研究的关系。其目标是参照西方古典美术史的体系,利用丰富系统的田野考古材料,以先秦青铜艺术为中心,建立中国古典美术的框架。刘敦愿的工作是20世纪美术史学科建设总体工程的一部分,他与其他同时代学者的努力,使得中国美术史的史料基础大大扩展,也拓宽了美术史研究的时间维度和艺术类型。刘敦愿在建设中国古典美术体系上的努力,具有开创之功。Liu Dunyuan spent most of his professional life studying early Chinese art and archeology.With a background in European archeology,he discussed the relationship between archeology and art in ancient China.Taking European classicism as a model,his ultimate goal was to create a theoretical framework for the study of pre-Qin bronze work.He was a pioneer in his field in China since the beginning of the twentieth century.His work and the work of his contemporaries laid the foundation for Chinese classical and aesthetic studies,both in a theoretical approach and in discovering and organizing the materials available.

关 键 词：刘敦愿 中国早期美术研究 中国考古学 中国青铜艺术 美术史 

分 类 号：J120.9[艺术—艺术理论] K87[历史地理—考古学及博物馆学] K825.81[历史地理—历史学]