一曲民族生态挽歌——《额尔古纳河右岸》的深层生态学解读  

On Deep Ecological Consciousness in The Last Quarter of the Moon

作　　者：刘岩[1] LIU Yan(School of Foreign Languages,Yancheng Teachers University,Yancheng 224002,Jiangsu,China)

机构地区：[1]盐城师范学院外国语学院,江苏盐城224002

出　　处：《兰州文理学院学报（社会科学版）》2021年第2期65-69,共5页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：江苏省社科基金项目“华莱士·史蒂文斯生态诗学的中国文化渊源研究”(20WWB007);盐城师范学院青年科研项目“马克·吐温小说经典化的研究”(15YCKWQ007)。

摘　　要：东北籍作家迟子建在代表作《额尔古纳河右岸》中深刻探讨了人与自然之间的关系,展现出一种深层生态学思想。在工业文明和城镇化的侵袭下,鄂温克民族所依赖的生态环境遭到了破坏。他们坚守自己的物质与精神家园,敬畏自然,尊重万物,试图建构一个人与自然和谐共存的生态系统。该作品展现出深层生态学所倡导反对人类中心主义、生物平等以及实现生态自我的观念。In her masterpiece The Last Quarter of the Moon,Chi Zijian analyzes the relationship between human beings and nature to display a deep ecological consciousness.Under the invasion of modern industrial civilization and urbanization,the environment where Ewenki people live has been destroyed.They choose to protect their physical and spiritual home,to respect nature and other creatures,to construct a whole ecological system in which human beings and nature could coexist.Her work demonstrates deep ecological concepts:anti-anthropocentrism,biocentric equality and an ecological selfhood.

关 键 词：《额尔古纳河右岸》 深层生态学 生物平等 人类中心主义 生态自我 

分 类 号：I206.7[文学—中国文学]