20世纪80年代以来施叔青研究述评  

A Running Commentary on the Shi Shuqing Studies since the 1980s

作　　者：俞春玲[1] 马海洋[1] Yu Chunling;Ma Haiyang

机构地区：[1]天津外国语大学国际传媒学院

出　　处：《华文文学》2020年第4期120-128,共9页Literatures in Chinese

基　　金：天津市2016年度天津哲学社会科学规划课题《民族学视野下的当代港台戏曲元素小说》阶段性研究成果,项目编号TJZW16-010。

摘　　要：施叔青的小说题材涉猎广泛,其不断迁徙的经历带来了身份的模糊性,也使其作品表现出丰富的意蕴和多重文化特色,因而其创作被称为"施叔青现象"。自20世纪80年代以来,大陆学界对施叔青作品的研究成果逐步增多,在研究视角、方法等方面有了长足的进步,研究重点主要集中于题材意蕴、人物形象、艺术特色等方面,其后期两部大河小说尤为学界研究的重点。本文旨在对20世纪80年代以来,大陆及港台有关施叔青小说的代表性研究成果进行述评,以形成对施叔青研究的较为系统的认知。Fiction by Shi Shuqing covers wide-ranging themes and its constantly migratory experience has brought it an obscured identity while,at the same time,making it possible for her work to have rich contents and multicultural features.Hence the them about her work as‘the Shi Shuqing phenomenon.’Since the 1980 s,mainland studies on Shi Shuqing’s work have been increasing in quantities,with great progress made in terms of perspectives and methods,focusing mainly on the implications of subject matter,images of characterization and artistic features,her late two Roman-Fleuve novels becoming key works for the scholarly world.This article intends to provide a running commentary on the representative studies on fiction by Shi Shuqing,from the mainland and Hong Kong since the 1980 s in order to form a systematic knowledge of the Shi Shuqing studies.

关 键 词：施叔青 题材 人物形象 艺术特色 大河小说 

分 类 号：I04[文学—文学理论]