诗歌魔方:当代诗中隐喻与转喻的关系  

Magic Cube of Poetry:the Relationship between Metaphor and Metonymy in Contemporary Poetry

作　　者：姜永琢[1] JIANG Yongzhuo(School of Language and Literature,Southwest University,Chongqing,400715)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《南京理工大学学报（社会科学版）》2021年第2期48-54,共7页Journal of Nanjing University of Science and Technology：Social Sciences

基　　金：国家社科基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(11BZW096);教育部人文社科项目“符号学巴黎学派的语言哲学思想”(14YJC72011)。

摘　　要：重新认识当代诗歌中的反隐喻现象是一个重要的当代诗学课题,认知语言学的隐喻研究、修辞学领域的四体演化模式以及雅柯布森的隐喻与转喻关系理论可成为反思的框架。反隐喻并不是非隐喻,而是与隐喻相对的转喻写作。隐喻与转喻的关系可描述为一场交换的仪式,二者彼此竞争,构成张力结构的网络。发明性与发现性可与两者形成四种写作类型,反对隐喻而转向发明性转喻,这是诗歌之幸。It is highly critical for contemporary poetics to re-interpret the anti-metaphor phenomenon.The reflection framework may include the metaphor study in cognitive linguistics,the four type evolution model in rhetoric and R.Jacobson’s theory of metaphor-metonymy relationship.Anti-metaphor is not non-metaphor,but a metonymic writing as opposed to metaphor.The relationship between metaphor and metonymy can be described as an exchange ritual,competing with each other and forming a tension network.With them,inventiveness and discoverability form four composition types.It is a poetic fortune to turn from metaphor to inventive metonymy.

关 键 词：当代诗 诗歌语言 隐喻 转喻 

分 类 号：I207.25[文学—中国文学]