儒玄同构:魏晋前期文学审美过渡态势研究——以何晏与阮籍的赋体创作为例  

The Combination of Confucianism and Metaphysics: on the Aesthetic Transition of Early Wei and Jin Literature——A Case Study of Fu Style Creation by He Yan and Ruan Ji

作　　者：苏婳 马晓虹[1] SU Hua;MA Xiao-hong(School of Chinese Language and Literature,Northeast Normal University,Changchun Jilin,130000)

机构地区：[1]东北师范大学文学院,吉林长春130000

出　　处：《山西大同大学学报（社会科学版）》2021年第2期67-71,共5页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：中国古代散文在魏晋时出现新变,表现为由汉代时偏重于对对象的客观把握与对外在感性世界的穷形尽相,转变为魏晋时注重心灵抒写与对主体情感的体认。这一变化并非一蹴而就,由于思想层面上新生玄学与传统儒学的撕扯,使得当时名士的文学创作与审美心态发生了复杂又矛盾的变化。同为玄学名士,从正始初期的何晏到后期的阮籍,两人在文学创作与玄学思辨中都或多或少有对儒学价值体系的继承与思索。随着历史的推移、政局的演变,两人创作中对儒家政教观的剥离程度以及个体"由外向内"追求的审美过渡态势都有着不同程度的变化与发展。In the Wei and Jin dynasties, new changes appeared in the ancient prose, which was characterized by the shift from emphasizing on the objective grasp of the object and the exhaustion of the external perceptual world to the emphasis on the expression of the soul and the recognition of the emotion of the subject. This change was not achieved overnight. The new metaphysics fought against traditional Confucianism at the ideological level, making the literary creation and aesthetic mentality of celebrities at that time have complex and contradictory changes. From He Yan in the initial stage to Ruan Ji in the later stage, they both inherited and pondered the value system of Confucianism more or less in their literary creation and metaphysical speculation. Meanwhile,with the passage of history and the evolution of political situation, the separation of Confucian views of politics and religion and the aesthetic transition trend pursued by individuals from outside to inside have changed and developed in different degrees.

关 键 词：儒玄同构 何晏 阮籍 赋体创作 

分 类 号：I222.4[文学—中国文学]