为中国话剧“寻路”——试论宋春舫的戏剧理念及其探索  

Finding the Way for Chinese Drama:About Song Chunfang's Idea and Exploration of Drama

作　　者：林树帅 LIN Shushuai(College of Humanities and Social Sciences, Qingdao Agricultural University, Qingdao, Shandong 266109, China)

机构地区：[1]青岛农业大学人文社科学院,山东青岛266109

出　　处：《中国石油大学学报（社会科学版）》2021年第2期94-100,共7页Journal of China University of Petroleum (Edition of Social Sciences)

基　　金：山东省社会科学规划学术社团人才培养专项(20CSTJ10);青岛市社会科学规划项目(QDSKL1901156)。

摘　　要：宋春舫是中国现代戏剧发展历程中的先驱式人物。其家世显赫,在家庭雄厚财力的支持下,他走上了戏剧之路,并逐渐形成了自由、自我、纯粹的戏剧理念。特别是在对于现代戏剧的世界性、现代性及舞台性内容方面的积极引介,为中国现代剧坛做出了巨大的开拓性贡献。同时,基于对戏剧的自我认知,宋春舫对中国现代话剧的发展也进行了深刻的反思,即其认为以“易卜生主义”为代表的现代戏剧思潮严重阻碍了中国现代话剧在大众化方面的普及。为此,宋春舫进行了积极的探索,他通过倡导并创作具有巧妙艺术结构的喜剧作品试图对此进行弥补与纠正。然而由于他的理念与中国现代戏剧发展主潮之间存在差异,宋春舫始终处于现代戏剧发展的边缘位置。Song Chunfang is the pioneer in the development of modern Chinese drama.With the support of his illustrious family,he embarked on the road of drama and gradually formed the idea of free,self and pure drama.In particular,his positive introduction to the cosmopolitan,modern and stage contents of modern drama had made a great pioneering contribution to the Chinese modern drama.At the same time,based on his own understanding of drama,Song Chunfang also made a profound reflection on the development of Chinese modern drama.He thought that the modern drama thought represented by"Ibsenism"seriously hindered the popularization of modern Chinese drama.Therefore,he made a positive exploration.He tried to remedy and correct it by advocating and creating comedies with ingenious artistic structure.However,due to the differences between his ideas and the main trend,Song Chunfang had always been on the edge in the development of modern drama.

关 键 词：宋春舫 现代戏剧 戏剧理念 易卜生主义 喜剧创作 

分 类 号：I03[文学—文学理论]