道法自然——中国书法与苏式家具的线性美学  

Taoist Nature——The Linear Aesthetic in Chinese Calligraphy and Su Style Furniture

作　　者：丁国凯[1] DING Guo-kai(Department of Arts,Nantong Normal College,Nantong Jiangsu 226000)

机构地区：[1]南通师范高等专科学校美术学院,江苏南通226000

出　　处：《牡丹江大学学报》2021年第5期64-68,104,共6页Journal of Mudanjiang University

基　　金：江苏省高校哲学社会科学研究基金(专题)项目“中国书法艺术元素在现代平面设计中的应用研究”系列成果(课题编号:2018SJA2000);南通市教育科学“十三五”规划课题项目“高师书法课程与中国美学文化内涵的传承和发展研究”系列成果(课题编号:QN2018069)。

摘　　要：线条是中国书法的必备元素,也是苏式家具特有的造型艺术。本文以线性之美将中国书法艺术与苏式家具结合探究,运用比较研究的方法,阐释二者美学上的共通之处,进而解读其背后蕴含的文化精神,指出中国书法与苏式家具同时具备线条上“一以贯之”的自然流动、气韵上“浑然天成”的自然圆润和境界上“返璞归真”的自然素朴,并且从艺术构造、精神气脉传承的对比中展现出二者“道法自然”的深厚美学内蕴,即自然从容的文人气息、宽宏豪迈的文人精神,对当下塑造人生境界、走出文化自信、发展传统文化精神具有重要意义。Line is an essential element of Chinese calligraphy and also a unique plastic art of Su style furniture.This paper explores the aesthetic similarities between Chinese calligraphy art and Su style furniture with the linear aesthetic.Furthermore,it interprets the cultural spirit behind them,and points out that Chinese calligraphy and Su style furniture have the natural flow of"consistent"lines,the natural mellowness of"natural perfection"in aura,and the"return to nature"in realm at the same time.From the comparison of line structure and spiritual inheritance,it shows the profound aesthetic connotation of the"Taoist nature".It is of great significance for shaping the realm of life, stepping out of cultural self-confidence and developing the spirit oftraditional culture.

关 键 词：道法自然 书法 苏式家具 线形美学 

分 类 号：J04[艺术—艺术理论]