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作 者:焦丽梅[1] Jiao Li-mei(School of Literature,Harbin Normal University,Harbin 150025,China)
出 处:《外语学刊》2021年第3期122-126,共5页Foreign Language Research
基 金:国家社科基金项目“俄国形式主义的叙事理论研究”(16CWW015);哈尔滨师范大学博士启动基金项目“洛特曼文化符号学理论研究”(1102120085)的阶段性成果。
摘 要:洛特曼是最有影响力的文化学家和符号学家,他创造性地将文化学和符号学结合在一起,从而形成独特的文化符号学体系,这既是对文化学的独特贡献,也是对符号学发展的延续。然而,就目前学术界来看,对于洛特曼的研究大多拘泥于文艺学和文化学领域,很少有学者从符号学视角考量其理论贡献。本文试图以洛特曼的符号学思想作为研究对象,同时引借欧陆符号学、英美符号学及俄罗斯本土符号学进行比较分析,以深入探究这种隐形对话对现代符号学发展及走向所具有的重要意义。Lotman is the most influential cultural semiotician in the West.He creatively combined culturology and semiotics to form a unique system of cultural semiotics,which is not only a unique contribution to culturology,but also a continuation of the development of semiotics.However,as far as the academic circles are concerned,most of the researches on Lotman are confined to the fields of literature,art and culturology,and few scholars consider his theoretical contributions from the perspective of semiotics.This paper attempts to take Lotman’s semiotics as the object of study,and at the same time makes a comparative analysis of European semiotics,Anglo-American semiotics and Russian native semiotics;the paper also makes a deep research on the significance of this hidden dialogue for the development and the trend of modern semiotics.
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