方法探索:中国当代艺术本土化问题透视之三  

Method Exploration:Perspective on the Localization of Chinese Contemporary Art(3)

作　　者：时胜勋[1] Shi Shengxun(Peking University,Beijing 100871)

机构地区：[1]北京大学中文系,北京100871

出　　处：《新疆艺术学院学报》2021年第2期1-9,共9页Journal of Xinjiang Arts University

基　　金：国家社科基金艺术学项目“中国当代艺术话语范式研究”(项目编号:15BA011);北京社科基金项目“中华美学精神的当代传承研究”(项目编号:20ZXB003)阶段性成果。

摘　　要：在中国当代艺术本土化问题上,艺术方法也是重要方面,这一点更关乎艺术本体。立足于中国社会文化现实,写实主义、写意主义、抽象主义、实验主义、民间主义,构成了中国当代艺术本土化实践的方法谱系。这些方法谱系是可贵的探索,同时也有各自的问题。对中国当代艺术本土化方法谱系的梳理,有利于进一步增进中国当代艺术本土化实践的艺术方法论自觉,促进中国当代艺术水准的提升。In the localization of contemporary Chinese art, art method is also an important aspect, which is more about art ontology. Based on China’s social and cultural reality, realism, ideaism(写意主义), abstractionism, experimentalism and folklorism constitute the method pedigree of the localization practice of Chinese contemporary art. They have made valuable artistic explorations in all aspects, but also have their own problems.Combing the method pedigreeof the localization of Chinese contemporary art is conducive to further promoting the art methodology consciousness of the localization practice of Chinese contemporary art and promoting the improvement of Chinese contemporary art level.

关 键 词：中国当代艺术 本土化 方法探索 艺术方法论自觉 

分 类 号：J120.9[艺术—艺术理论]