“快闪”文艺实践与“日常生活”的意识形态建构——以“我和我的祖国”爱国主义题材系列活动为例  

Literary Practice of“Flash Mobs”and Ideological Construction of“Daily Life”:A Case Study of“My Motherland and I”Patriotic Flash Mobs Series

作　　者：王刚[1] 肖蕾 WANG Gang;XIAO Lei(School of Literature,Yan′an University,Yan′an 716000,Shaanxi)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《延安大学学报（社会科学版）》2021年第3期107-113,共7页Journal of Yan'an University (Social Sciences Edition)

基　　金：国家社会科学基金西部项目“‘空间融合’进程中的文艺学场域建构与知识路径”(16XZW005)。

摘　　要：系列爱国主义题材“快闪”活动已日渐成为“空间融合”进程中大众文艺实践的一种新范式。其有着鲜明的主题性和明确的宣传目的、注重集体性感性经验的有序分配和建构、主流意识形态情感表达从形式到内涵上不断转型,以“感性共通”的方式打破群体区隔,“国家”话语“陌生化”地融入大众日常生活经验,从而在“民族共同体”的审美想象中生成了日常生活的“新感性”,增强了群体的政治和文化认同。新大众文艺实践形式与主流意识形态以“泄导人情”的方式实现了大众趣味建构与新时代宏大叙事的“知识合流”。随着范式定型和“仪式化语境”的变化,主流意识形态对话、顺应、形塑大众审美形态和价值取向的知识路径,依然需要不断地观照、反思和超越。A series of patriotism-themed“flash mobs”activities have gradually become a new paradigm for popular literary and artistic practice in the process of“spatial integration”.Such activities feature distinct themes and clear propaganda purposes,highlight allocation and construction of collective perceptual experience,and constant transformation ranging from form to content of emotional expression for mainstream ideology,break up group segregation with“common sentiment”,allowing discourse of the“state”to blend into mass daily experience in an“unfamiliar”way,thus creating“new sensibilities”of daily life in the aesthetic imagination of“national community”and enhancing political and cultural identity of the group.The new popular practice combined with the mainstream ideology has realized the“knowledge interflow”between construction of popular interest and the grand narrative of the new era through“catharsis”.With the change of paradigm patterning and“ritualized context”,the knowledge path of mainstream ideology communicating,adapting and shaping mass aesthetic and value orientation still needs to be observed,reflected and transcended.

关 键 词：爱国“快闪” 国家认同 新大众文艺实践 审美新感性 “日常生活” 

分 类 号：I022[文学—文学理论]