从《潇湘图》题跋看董其昌文人画理论的建构  

The Construction of Dong Qichang's Theory of Literati Painting from the Postscript of"Xiaoxiang Picture"

作　　者：赵纲 张宇龙 杨晓燕 Zhao Gang;Zhang Yulong;Yang Xiaoyan(The Open University of Shaanxi, Xi'an 710119)

机构地区：[1]陕西开放大学图书馆,陕西西安710119 [2]陕西开放大学教育研究中心,陕西西安710119

出　　处：《陕西广播电视大学学报》2021年第2期61-64,73,共5页Journal of Shaanxi Radio & TV University

摘　　要：通过分析《潇湘图》董其昌的题跋可见,他用这种跋-画-跋(画-跋-跋)的方式,形成一种图文自我指向的互证结构。文字论述画面的风格,指定绘画作者的归属,反过来,绘画证明文字描述、品评的合理、准确。但这并不是一个同义反复的封闭的系统。题跋同时会通过指向另外的相关作者和作品,形成一个互文(Intertext)图像和意指网络,董其昌只要把当时所能见到的绘画,根据自己的审美理念,对其进行分类,通过不断的题跋,根据风格,找出每件作品在其理论体系中的位置,根据能掌握的信息,推定或臆断出作品的作者,使之形成一件图文互证的小体系,并指出每位作者与其他历代大师的关系,从而使每件作品都指向其他作品,形成一个开放的大体系,重构绘画史,以此支持其文人画理念。By analyzing Dong Qichang's inscriptions and postscripts of"Xiaoxiang Pictures",it can be seen that he uses this post-paint-post(paint-post-post-post)method to form a mutual proof structure of self-direction of pictures and texts.The text discusses the style of the picture and specifies the attribution of the author of the painting.In turn,the painting proves that the text description and evaluation are reasonable and accurate.But this is not a closed system of tautology.The postscript will also form an intertext image and signification network by pointing to other related authors and works.Dong Qichang only needs to classify the paintings he can see at that time according to his own aesthetic philosophy,and through continuous The title and postscript,according to the style,find out the position of each work in its theoretical system,and infer or infer the author of the work based on the information that can be grasped,so as to form a small system of mutual evidence between pictures and texts,and point out each author The relationship with other masters of the past dynasties,so that each work points to other works,forming an open system,in order to reconstruct the history of painting,and support his philosophy of literati painting.

关 键 词：潇湘图 董其昌 题跋 文人画 理论 建构 

分 类 号：J120.9[艺术—艺术理论]