论郭沫若《郑成功》的历史性与现实性  

Making the Past Serve the Present:The Historic and Realistic Significance of Guo Moruo's Zheng Chenggong

作　　者：刘奎[1] LIU Kui(Graduate Institute for Taiwan Studies,Xiamen University,Xiamen,Fujian,361005)

机构地区：[1]厦门大学台湾研究院,福建厦门361005

出　　处：《成都大学学报（社会科学版）》2021年第3期84-93,共10页Journal of Chengdu University (Social Sciences)

摘　　要：郭沫若的剧本《郑成功》以“古为今用”的原则,在借鉴大量历史素材的基础上,将历史经验重新激活作为应对现实的方法。该剧以跨文体的形式,对郑成功收复台湾的历史进行形象化表达,同时,着重强调高山族和黑人等群体在反殖民斗争中的作用,以呼应20世纪60年代民族解放与黑人解放的历史诉求,从历史价值的层面还原历史的真实。该剧既为历史剧,也是时事剧,是针对20世纪60年代初的国际局势而作。一方面,它是基于冷战语境,就两岸问题对西方封锁中国的一次回应。另一方面,该剧是在20世纪60年代初对蒋介石试图骚扰大陆沿海的图谋的一次具体应对,具有战争动员的现实诉求和潜在价值。Based on the principle of“making the past serve the present”,Guo Moruo's play Zheng Chenggong uses a lot of historical materials for reference and reactivates historical experience as a way to deal with reality.In the form of cross style,the play vividly expresses Zheng Chenggong s history of recovering Taiwan.Simultaneously,it emphasizes the role of the Gaoshannationality of Taiwan and the black in the anti-colonial struggle to echo the historical demands of national liberation and black people s liberation in the 1960s and restore the truth of history from the level of historical value.Although it is a historical drama,it is also a current affairs drama.It is aimed at the international situation in the early 1960s.On the one hand,it responds to the Western blockade of China on cross-strait issues in the context of the cold war.On the other hand,the play is a concrete response to Chiang Kai Shek s attempt to harass the mainland s coastal areas in the early 1960s,which has the realistic appeal and potential value of war mobilization.

关 键 词：《郑成功》 时事剧 古为今用 历史真实 文化领导权 

分 类 号：I207.3[文学—中国文学]