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作 者:陈金栓[1] CHEN Jin-shuan(College of Mechanical Engineering,Yangtze University,Jingzhou Hubei 434000,China)
出 处:《廊坊师范学院学报(社会科学版)》2021年第2期24-29,共6页Journal of Langfang Normal University(Social Sciences Edition)
基 金:长江大学人文社科青年学者支持计划基金项目“楚国竹编制工艺特性及其审美研究”(2021skq15)阶段性成果。
摘 要:中国传统美学思想是中华民族智慧的结晶,其中包含了大量的艺术思想"。外师造化,中得心源""虚实""空灵""得意忘象""文质彬彬"等重要命题,对中国几千年来的艺术创作产生了深远的影响,主要表现在:在艺术创作的灵感来源上"外师造化,中得心源";在艺术创作的写实与虚构关系上"虚实结合""空灵飘逸";在艺术创作的原则和方法上"得意忘象";在艺术创作的格调上"文质彬彬"。绘画、音乐、舞蹈、标志设计等艺术种类,都在艺术创作的灵感来源、写实性和虚构性关系、创作原则和方法以及内容与形式的关系等方面,受到了中国传统美学思想的启示。Chinese traditional aesthetic thought is the crystallization of the wisdom of the Chinese nation,which contains a large number of aesthetic ideas.Important propositions such as"creation by both reality and inner perception","fiction versus reality","emptiness","spirit over form","elegance",have exerted a far-reaching influence on the Chinese artistic creation for thousands of years,mainly manifested in the following aspects:"reality and inner perception"as the source of the inspiration of artistic creation,"combination of reality and reality"in the relationship between realism and fiction in artistic creation,"spirit over form"in terms of the principles and methods of artistic creation,and"elegance"in the artistic creation style.Art types such as painting,music,dance,and logo design have all been inspired by traditional Chinese aesthetics in terms of the source of inspiration for artistic creation,the relationship between realism and fiction,the principles and methods of creation,and the relationship between content and form.
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