凯约嘉湖上一只小船的打翻——重审新诗发生“前史”的一次“偶然”  

A Boat Overturned in Cayuga Lake——Review the “Accident” before New Poem Began

作　　者：姜涛[1] Jiang Tao

机构地区：[1]北京大学中文系,北京100875

出　　处：《郑州大学学报（哲学社会科学版）》2021年第2期92-97,128,共7页Journal of Zhengzhou University:Philosophy and Social Sciences Edition

基　　金：教育部人文社会科学重点研究基地重大项目“百年新诗学案”(项目编号:17JJD750002)。

摘　　要：在回顾"白话诗"或"文学革命"的发生史时,胡适特别强调一系列个别因素的作用,其中"凯约嘉湖上一只小船的打翻",就是一个颇有意味的"小事件"。由"小船的打翻"引发的诗歌写作及友人间的争论,最终将胡适"逼上"了"白话作诗"的道路。结合此前胡适提出的"作诗如作文"方案,重新梳理这场争论的前后过程,可以发现胡适最初"诗国革命"的构想中,包含了文与质、文与白、诗与文、问题与原理等多重张力,"救文胜之弊"是他思考的起点。然而,在友人的夹击下,胡适的思路越来越集中于语言形式层面,最终以收缩到"白话作诗"这一中心议题上。原有方案的弹性空间由此被挤压,这在一定程度上也造成了对新诗起点之美学及伦理内涵理解的简化。In reviewing the history of "vernacular poetry" or "Literary Revolution", Hu Shi emphasized the functions of a series of individual factors, among which "the overturning of a boat on Cayuga lake " was a significant "small event". Debates on the poetry writing and among friends caused by the "boat overturning" finally pushed Hu Shi to "write poems in vernacular words". Combining with his previous viewpoints that " Writing poem should be writing vernacular literature", and resorting out the process before and after the debates, it can be found that Hu Shi’s original conception of "Poetry Revolution" contains multiple interactions such as between form and content, claasical Chinese and vernacular Chinese, poetry and vernacular literature, problems and principles, and "to make up for the disadvantages that content is of priority than form" is the starting point of his thinking. However, facing the debates of his friends, Hu Shi gradually focused on the linguistic form, and finally contracted to the central issue of "writing poems in vernacular Chinese", which leads to the simplification of the aesthetic and ethical connotation of the starting point of the new poem.

关 键 词：胡适 任鸿隽 梅光迪 作诗如作文 白话诗 文与质 

分 类 号：I206.5[文学—中国文学]