学科视阈下舞蹈表演理论原理建构及方法研究  

Study on Theoretical Construction and Methods of DancePerformance in the Disciplinary Perspective

作　　者：周蓓[1] Zhou Bei(School of Dance,Shanghai Theatre Academy,Shanghai,200040)

机构地区：[1]上海戏剧学院舞蹈学院,上海220044

出　　处：《民族艺术研究》2021年第3期98-103,共6页Ethnic Art Studies

摘　　要：在中国舞蹈学的学科体系中,舞蹈表演理论还有很大的空间需要填补。在舞蹈表演研究中,方法论的重要性及其价值所在是研究重点。舞蹈表演最一般、最本质的规定是身体在特定空间下的当众表演,这是舞蹈表演理论研究的逻辑起点。舞蹈表演的研究范畴包括作为舞蹈表演者自己对表演过程的总结与思考,作为观察者对于舞者或者舞蹈表演的行为及全过程所进行的思考和研究,作为舞蹈表演教学对舞蹈表演进行反思和反馈的三种范畴。在逻辑起点和研究范畴基础上建构的方法论主要有动作分析理论、身心学理论和控制与反馈理论。从舞蹈学科建设以及内容范畴等现实需求而言,对于舞蹈表演的经验总结和梳理是非常重要的学科建设内容。In the disciplinary system of Chinese dancology, there is still much space for dance performance theory to improve. In the study of dance performance, the importance of methodology and its value are the research focus. The most general and essential regulation of dance performance is the public performance of the body in a particular space, which is the logic starting point for the theoretical study of dance performance. The research category of dance performance includes summary and thinking of the performance process by the dancer, thinking and research on the dancer or the behavior and the whole process of the dance performance by the observer, reflection and feedback of the dance performance by the dance performance teaching. The methodology based on the logic starting point and research category mainly includes action analysis theory, somatics theory, and control and feedback theory. From the practical needs of dance disciplinary construction and content category, summary and examination of the experience of dance performance are very important.

关 键 词：舞蹈学科 舞蹈表演 方法论 舞蹈表演原理 

分 类 号：J702[艺术—舞蹈]