不断推近的“中国”风景--18、19世纪中国风俗玻璃画中的风景研究  

The“China”Landscape Pushing Forward:A Study on the Landscape of Reverse Glass Paintings Based on Genre Subjects in the 18th and 19th Centuries

作　　者：刘希言 Liu Xiyan

机构地区：[1]中央美术学院美术馆

出　　处：《艺术设计研究》2021年第3期84-93,共10页Art & Design Research

基　　金：中央美术学院“自主科研项目”(项目编号:19KYYBQN014)的阶段性成果。

摘　　要：本文以中央美术学院美术馆收藏的清代玻璃画《水中楼阁》为切入点,通过简要梳理平板玻璃画在中国的发展历史和分析18、19世纪风俗玻璃画中对风景的不同处理方式,来解读《水中楼阁》中出现的种种矛盾图式。在此基础上,也尝试以玻璃画中的“风景”变化为视角,透视该时期外销艺术发展、审美趣味转移的独特历史。This paper takes A Pavilion over the Water,a reverse glass painting collected in CAFA Art Museum,as a starting point,and it attempts to interpret the contradictory patterns appeared in the painting through a brief summary of the development history of reverse glass painting in China and an analysis of different ways dealing with the landscape in genre glass paintings in the 18th and 19th centuries.Based on this,it also tries to focus on the shifting“landscape”in reverse glass paintings to look into the unique history of the development of export art and the transformation of aesthetic interest in this period.

关 键 词：平板玻璃画 风景 中国风 趣味 水中楼阁 

分 类 号：J05[艺术—艺术理论]