荒诞性与现代性:奥尼尔戏剧百年批评之再解构  

Absurdity and Modernity:A Review of the Centennial Criticism of O'Neill’s Drama

作　　者：吴宗会[1] WU Zong-hui(Tongji Univeristy,Shanghai 200092)

机构地区：[1]同济大学外国语学院,上海200092

出　　处：《牡丹江大学学报》2021年第7期29-35,共7页Journal of Mudanjiang University

基　　金：2018教育部规划基金项目“新时代西方戏剧治疗视角下中国文化自信研究”(项目批准号18YJAZH101);2018年度中央高校基本科研业务费资助项目“上海全球城市建设中外语服务能力及其提升策略研究”(项目编号:1100219165)阶段成果;2018年度同济大学优秀人文社科著作出版资助项目“异化与本真:尤金·奥尼尔戏剧荒诞艺术”资助(项目编号:4420219014)。

摘　　要：学术界对于奥尼尔戏剧人物生存状态与荒诞主义关联的研究颇为鲜见,无论研究过程抑或研究结果,常以人物性格、命运等传统视域而释之,并且研究者们大多聚焦于奥尼尔少数几个剧本,探讨其戏剧与荒诞主义之关联。本文基于奥尼尔中晚期剧作整体创作,认为从荒诞特征之表征及其现代性演化而言,奥尼尔戏剧“异化”既有其哲学式考量,亦观照人性“荒诞性”与“现代性”之特质。Despite the titanic volumes of studies on O'Neill dramas,direct treatment of human existence and the absurd has been rare.Both the processes and conclusions of those studies,as a consequence,tend to end with such interpretations as characterization and fate.Moreover,scholars constantly engage themselves with very small part of O'Neill’s dramas when addressing the issues of absurdity.Based on the plays of O'Neill’s middle ad later creative periods,this paper argues that O'Neill’s absurdity is tinged with both philosophical speculations,humanity as well as modern implications,concerning the transgressions from the phrase of absurdity to modernity.

关 键 词：荒诞性 现代性 奥尼尔戏剧 西西弗斯精神 

分 类 号：I106.3[文学—世界文学]