从“丧家狗”到“乡愿”--《应物兄》中儒学形象的现实观照  

From“Sang-jia gou”to“Xiang Yuan”--The Reality of the Image of Confucianism in Brother Yingwu

作　　者：王启俊[1] WANG Qi-jun(School of Basic Courses,Hefei Vocational and Technical College,Hefei 230012,Anhui,China)

机构地区：[1]合肥职业技术学院基础教育学院,安徽合肥230012

出　　处：《韶关学院学报》2021年第7期28-33,共6页Journal of Shaoguan University

摘　　要：《应物兄》是一部以当代“儒学复兴”为背景,借助纷繁复杂的知识分子群像,叙述一个时代精神状况的长篇小说。文本聚焦20世纪末21世纪初儒学兴起这一特殊文化现象,巧妙牵连《论语》中的人事,形成强烈对比反差,揭示了当代新儒学在“应物”过程中从“丧家狗”到“乡愿”的流变。小说通过对儒学复兴思潮的剖析思考,展示了当代知识分子精神世界的分崩离析和塌陷堕落的影像,塑造了为各领域发展贡献青春和才华的人们,他们是民族文化传承的真正载体,影射了民族文化真正之根基所在。Brother Yingwu is a full-length novel,which sets at the time of“Revival of Confucianism”in the contemporary era and narrates the spirit of the whole age through the description of complex group images of intellectuals.The text focuses on the special cultural phenomenon“the Rise of Confucianism”at the end of last century and the beginning of this century,skillfully intertwined with people and affairs in the Analects of Confucius and forms a sharp contrast between them.The novel exposes the change of Neo-Confucianism from“Sang-jia gou”to“Xiang Yuan”in the process of“Yingwu”in the contemporary era.Through the analysis of the thought of“Confucian Revival”,the novel shows the images of the disintegration and collapse of the spiritual world of contemporary intellectuals,and also shapes characters who silently contribute their youth and talents to the development of various fields,who are the real carriers of national culture inheritance and reflects the real foundation of national culture.

关 键 词：应物兄 儒学 丧家狗 乡愿 

分 类 号：I206.7[文学—中国文学]