符号修辞:舞蹈文本的基本表意方式  

Symbolic Rhetoric:The Basic Ideographic Mode of Dance Text

作　　者：袁杰雄 YUAN Jie-xiong(School of Literature and Journalism,Sichuan University,Chengdu 610064,China)

机构地区：[1]四川大学文学与新闻学院,成都610064

出　　处：《北京舞蹈学院学报》2021年第3期54-63,共10页Journal of Beijing Dance Academy

基　　金：2018年湖南省哲学社会科学基金青年项目“符号学视角下湖南白族传统民间舞蹈调查研究”(项目编号18YBQ048)阶段性成果。

摘　　要：从符号修辞学角度来看,隐喻、转喻、反讽等符号修辞已经从语言领域扩展至非语言领域,其中就包括舞蹈艺术。符号修辞在舞蹈艺术中的运用,重在探讨舞蹈文本中各表意符号如何有效传达意义、吸引观众注意、引发观众情感共鸣、获取观众认同与理解等效果所采取的修辞策略和技巧,进而成为舞蹈文本的基本表意方式。符号隐喻以"相似性"为基础,喻体与喻旨体现"跨域映射"的关系;符号转喻是以"邻近性"的联想为基础,喻体与喻旨体现"同域指代"的关系;符号反讽指同一舞蹈文本被接收者解释出两个相互冲突的意义,这两个相互冲突的意义的产生是以伴随文本的存在为前提的,很多舞蹈作品正是因为借助符号反讽,从另外一个层面达到了一种意味深长的表意和审美效果。故厘清这三种符号修辞在舞蹈表意过程中各自所具有的特性和功能,对舞蹈创作研究具有重要意义。From the perspective of symbolic rhetoric,metaphor,metonymy and irony have expanded from the linguistic field to the non-verbal field,including dance art. The application of symbolic rhetoric in dance focuses on the rhetorical strategies and techniques adopted by various ideographic symbols in dance texts,and explores how to effectively convey meaning,attract the audiences’ attention,arouse their emotional resonance,and obtain their recognition and understanding,therefore it has become the basic ideographic mode of dance text. Symbolic metaphor is based on "similarity ",whose tenor and vehicle embody the relationship of "cross-domain mapping ";Symbolic metonymy is based on the association of "contiguity ",whose tenor and vehicle embody the relationship of "sympatric reference ";Symbolic irony means that the same dance text is interpreted by recipients as two conflicting meanings,which are produced on the premise of the existence of accompanying texts. Many dance works achieve a significant expressive and aesthetic effect from another level by use of symbolic irony. Therefore,it is of great significance for the study of dance creation to clarify the characteristics and functions of these three symbolic rhetoric in the ideographic process of dance expression.

关 键 词：符号修辞 舞蹈文本 隐喻 转喻 反讽 

分 类 号：J70-02[艺术—舞蹈]