豫剧唱腔结构嬗变的哲学基础:变易·简易·不易  

The Philosophical Basis of the Evolution of the Singing Structure of Henan Opera:Changeable·Simple·Stable

作　　者：陈文革[1,2] CHEN Wen-ge

机构地区：[1]河南大学,开封475000 [2]河南大学黄河文明与可持续发展研究中心暨黄河文明省部共建协同创新中心,开封475000

出　　处：《原生态民族文化学刊》2021年第5期80-87,154,155,共10页Journal of Ethnic Culture

摘　　要：豫剧在六十年的唱腔结构变迁中实现了从简直的“粗梆子”发展成为璀璨绽放的新豫剧,是在“负阴而抱阳”中焕发生机,在易之“生生”中“充气以为和”,体现着“阴阳之道”,即万事万物永恒变化、至易至简的“易”之“大义”,最终体现了与“变易”对立统一的另一极——“不易”。豫剧的梆子腔体制及河南气质没变,豫剧唱腔的变与不变体现了豫剧文化“易”的本质:移步不移形的渐变为用,不变为体。豫剧唱腔的变易体现了器的维度,简易体现了道的维度,道与器发显为体用的统一,申张出豫剧的本位恒常,彰显出中华传统思维阴阳以和,生生不息的辩证。In the 60 years of changes in the vocal structure of Henan opera,it has developed from a simple“Rough clapper opera”into a new Henan opera,which is full of vitality.In the“Yin and Yang Embrace Together,”,and in the“Sheng Sheng”(生生)of the Yi(易),it is harmony,it embodies the principle of“Yin and yang”(阴阳),that is,the Fundamental meaning of“Yi”(易),that is,the eternal change of all things and the simplest of all things,and finally embodies the opposite pole of“Change”--“stable”.Henan opera’s Bangzi tune system and Henan’s temperament have not changed,the change and invariance of the tune of Henan opera reflect the essence of the cultural“Yi”(易)of Henan opera.The change of the tune of Henan Opera embodies the dimension of“Qi”(器),and the unity of Tao(道)and Qi(器)is the unity of body and function,which affirms the standard and constancy of Henan Opera,and shows the dialectics of the traditional Chinese thinking of yin and yang(阴阳),harmony and Circle of Life.

关 键 词：豫剧唱腔结构 变易 简易 不易 

分 类 号：C95-05[社会学—民族学]