崇高的性别维度——女性主义视野中的崇高论  

Feminist Perspectives on Gender and the Sublime

作　　者：陈榕 Chen Rong(Research Institute of Foreign Literature,Beijing Foreign Studies University,19 Northwest Third Ring Road,Haidian District,Beijing 100089,China)

机构地区：[1]北京外国语大学外国文学研究所,100089

出　　处：《文艺理论研究》2021年第4期98-108,共11页Theoretical Studies in Literature and Art

基　　金：北京外国语大学“双一流”建设重大标志性科研项目“二十世纪以来的西方文学理论”[项目编号:2020SYLZDXM044]的阶段性成果。

摘　　要：本文从女性主义角度出发,重新解读了崇高理论的概念史,辨析了父权制权力话语在经典崇高论中的深刻印痕,勾勒了当代女性主义对崇高美学的重塑,展现了基于女性经验的审美范式、主体立场以及伦理驱动如何影响了当代的概念演进。一种跨越边界、尊重情感、拥抱异质性、提倡主体间性的新的崇高美学主张正在发展中。这是女性主义为崇高美学的理论场域带来的新动能。The paper reinterprets the conceptual history of sublime theory from a feminist stance. Besides exposing the deep imprint of patriarchal discourse in the classical version of the sublime, contemporary feminists make great efforts to remold the aesthetical category to incorporate the female experiences, subjectivity and ethics. Therefore, the concept of the sublime enjoys an expansion to include possibilities of transgressing borders, embracing emotion, upholding heterogeneity and advocating intersubjectivity. This is the new dynamic that feminism brings to the theoretical field of sublime aesthetics.

关 键 词：崇高 女性主义 女性书写 越界 主体间性 

分 类 号：I0[文学—文学理论]