回归生活实践——现代性视域中杜威的时间观念及其美学意蕴  

A Return to Living Practice--Dewey's Concept of Time and Its Aesthetic Implication from the Perspective of Modernity

作　　者：徐陶[1] 谢雨 XU Tao;XIE Yu(School of Public Administration,Central South University,Changsha 410083,China;School of Literature and Journalism,Central South University,Changsha 410083,China)

机构地区：[1]中南大学公共管理学院,湖南长沙410006 [2]中南大学文学与新闻传播学院,湖南长沙410006

出　　处：《美育学刊》2021年第5期53-59,共7页Journal of Aesthetic Education

摘　　要：现代性时间概念具有“均匀流逝、历史进步、聚焦当下”的特性,而后现代主义时间概念具有“瞬间、碎片、历史终结”的特性。在这种冲突与割裂中,杜威的时间观念通过把时间与人类生存实践相联系,阐述了时间与个体、时间与经验的内在关联,并以此为基础构建起自然主义和人本主义的经验美学理论,阐明了艺术对于人类自身发展的推动作用。The concept of time of modernity has the characteristics of“uniform passing,historical progress and focusing on the present”,while the concept of time of post-modernism has the characteristics of“instant,fragment and end of history”.In this conflict and separation,Dewey's concept of time connects time with human survival practice,and elaborates the relationship between time and individual,time and experience.Based on this,Dewey constructs the aesthetic theory of naturalism and humanism,and expounds the promoting effect of art on human development.

关 键 词：现代性 时间观 艺术 审美经验 

分 类 号：B83-066[哲学宗教—美学]