论审美意象生成的心理过程  

On the Psychological Process of Aesthetic Image Generation

作　　者：何琪琦 HE Qi-qi(Si-Mian Institute for Advanced Studies in Humanities,East China Normal University, Shanghai 200241, China)

机构地区：[1]华东师范大学思勉人文高等研究院,上海200241

出　　处：《唐山学院学报》2021年第5期61-67,共7页Journal of Tangshan University

摘　　要：审美主体从“观物取象”到比兴思维下的物我交融,直至在审美活动中获得情感满足的心理过程,体现了审美意象生成的动态性。审美主体的情感因物而兴,同时又以物为寄托。比兴思维与想象是主体在审美意象生成过程中实现物我交融的方式。审美主体在“观”和“取”中的心理倾向体现了审美意象动态生成的必然属性。无论是基于物我关系的创构,还是随着主体生命活动而不断变化,抑或是在历史文化中发展,都表明审美意象不是预成的,而是动态生成的。The psychological process of the aesthetic subject from abstracting the image of the object to the fusion of the object and subject under the Bi(metaphorization)-Xing(Analogization)thinking,to obtaining the emotional satisfaction in the aesthetic activity,reflects the dynamic of aesthetic image generation.The emotion of the aesthetic subject arises from the object and is expressed by the object.Bi-Xing thinking and the imagination are the fusion way for the object and subject during the aesthetic image generation.The aesthetic subject in the psychological tendency in Guan(viewing)and Qu(abstracting)reflects the dynamic generation of aesthetic images.Whether it is the construction based on the relationship between the object and subject,or the continuous change with the life activities of the subject,or the development in history and culture,all show that the aesthetic image is not preformed,but generated dynamically.

关 键 词：审美意象 观物取象 比兴思维 情变所孕 

分 类 号：B83-02[哲学宗教—美学]