标出的艺术作品与艺术品的界限  

The Boundary between Markedness Artwork and Artwork

作　　者：朱洁 ZHU Jie(Kashi University,Kashi 844006,Xinjiang,China;Sichuan University,Chengdu 610207,Sichuan,China)

机构地区：[1]喀什大学,新疆喀什844006 [2]四川大学,四川成都610207

出　　处：《喀什大学学报》2021年第4期77-80,共4页Journal of Kashi University

摘　　要：20世纪60年代早期前卫艺术家始终面对两大难题,其一是精英艺术与低俗艺术的之间界限问题,其二是作为现成品的艺术品与纯然之物的界限问题。这两个问题都可追溯至达达主义,杜尚的现成品将“非艺术”的视觉符号变成抨击传统艺术家的观念行动,标出的艺术作品与艺术品的界限变得模糊而无边界,艺术史的发展不再受内在驱动的必然性影响,人们找不到任何艺术叙事的方向,我们已经进入一个多元化的时代。In the early 1960s,avant-garde artists always faced two problems,one was the boundary between elite art and vulgar art,the other was the boundary between art objects and ordinary objects.Both problems can be traced back to dadaism,where Douchamp’s readymade turns“Non-artistic”visual symbols into conceptual actions against traditional artists,drawing a line that no longer separates the work of art from the work of art.Art History is no longer subject to the inevitability of internal drive,people can not find any direction of art narrative,we have entered a pluralistic era.

关 键 词：现成品 非艺术 标出 多元化 

分 类 号：J05[艺术—艺术理论]