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作 者:王婉婉 WANG Wan-wan(School of Literature,Nanjing Normal University,Nanjing 210097,Jiangsu;School of Humanities and Social Sciences,Anhui Agricultural University,Hefei 230036,Anhui)
机构地区:[1]南京师范大学文学院,江苏南京210097 [2]安徽农业大学人文社科学院,安徽合肥230036
出 处:《延安大学学报(社会科学版)》2021年第5期83-87,共5页Journal of Yan'an University (Social Sciences Edition)
基 金:江苏省研究生科研创新项目“文学‘例外状态’研究”(KYCX20_1218);江苏省科研创新计划项目“《水浒传》经典化的跨媒介机制研究”(KYCX21-1257)。
摘 要:检视文学经典问题,发现经典研究中的媒介意义,是文学媒介批评理论对经典建构的一个重要贡献。文学经典的形成经历了一个经典化的过程,涉及经典的性质、价值、遴选标准,以及经典以后的接受与阐释等多个方面,经典有高于一般文学作品的审美价值,同时也是各种建构主义视角下的产物,是各种主义建构出来的典范。在文学经典研究中,媒介价值被低估了,或者说媒介理论缺席了经典建构的过程。在“万物皆媒”的时代下媒介概念的建构与使用边界都在发生着变化,媒介的技术、物质、文本、渠道、主体、机制等定义的进一步重构也会对经典建构注入新的活力。文学经典应是媒介理论实践的对象,媒介也应成为经典建构的题中之意。To examine the problems of literary classics and discover the significance of media in the study of classics is an important contribution of literary media criticism theory to the construction of classics.The formation of literary classics has gone through a process of canonization,which involves the nature of the classic,value,the selection standard,as well as the acceptance and explanation after classic.Classics have higher aesthetic value than ordinary literary works,and they are also the products of various constructivist perspectives and the models constructed by various doctrines.In the study of literary classics,the value of media has been underestimated,or media theory is absent from the process of classical construction.In the era of“everything is media”,the construction and use boundary of the media concept are changing,and the further reconstruction of the definition of media technology,substance,text,channel,subject and mechanism will also inject new vitality into the classical construction.Literary classics should be the object of media theory practice,and media should also be the meaning of classical construction.
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