康拉德小说中的多元混杂性探究  

The Embodiment of Homi Bhabha's Hybridity Theory in Joseph Conrad's Novels

作　　者：赵君仡 ZHAO Junyi(Department of foreign languages,Changzhou Open University,Changzhou Jiangsu 213001,China)

机构地区：[1]常州开放大学外语系,江苏常州213001

出　　处：《宿州教育学院学报》2021年第5期111-114,共4页Journal of Suzhou Education Institute

摘　　要：约瑟夫·康拉德(Joseph Conrad)的文学创作颠覆了英国的文学传统,拓展了英国的现代主义文学视域。康拉德超越和突破了历史文化的束缚,在文学作品中投射出的文化、身份、时空交错等多元混杂性与霍米·巴巴"第三空间"想要表述的混杂性理念不谋而合,两者的结合深层次解锁了康拉德小说的多维度解读领域,深化了其作品的文学意蕴。Joseph Conrad,the famous British novelist, is unique and controversial in the British literature. Conrad’s literary creation has greatly subverted the British literary tradition and broadened the horizon of British modernist literature. He transcended and broke through the shackles of history and culture, presented the multiple hybridity of culture, identity, time and space in his works. It is in line with the concept of the hybridity that HomiBhabha wants to express in his third space. The combination of the two deeply unlocks the multi-dimensional interpretation of Conrad’s novels, even deepens the literary implication of his works.

关 键 词：约瑟夫•康拉德 混杂性 文化 身份 时空 

分 类 号：I06[文学—文学理论]