艺术史研究的中国方式  

The Chinese Way of Art History Research

作　　者：王瑞光[1] Wang Ruiguang(School of Arts management,Shandong University of Arts,Jinan,Shandong,250300)

机构地区：[1]山东艺术学院艺术管理学院,山东济南250300

出　　处：《民族艺术研究》2021年第5期86-93,共8页Ethnic Art Studies

基　　金：2018年度山东省社会科学规划研究专项“生态视角下的山东省非物质文化遗产保护与传承研究”(项目批准号:18CQXJ04)的阶段性研究成果。

摘　　要：在中华民族复兴的大背景中,文化自觉和文化自信使学者们将更多精力放在思考中国方式的话题上。西方的中国艺术史研究需要反思,中国自身的艺术史研究也须改进。当今,建构艺术史研究的中国方式时,应结合二者的优势进行重新定位,在学术姿态上,坚持自信姿态,采用平视视角;路径选择上,应贯通古今,融汇中外;方法建构上,应有感而发,析悟相谐;史料使用上,既要深挖细究,又须回归史境。唯此,中国的艺术史研究才能一方面取得更多新的成绩,另一方面也会为世界其他国家所认可。In the background of China’s renaissance,cultural consciousness and cultural confidence make scholars think about the topic of Chinese way.The study of Chinese art history in the West needs reflection,and the study of Chinese art history also needs improvement.Nowadays,the construction of the Chinese way of art history research needs to combine the advantages of the two.In terms of academic attitude,we should have self-confidence and adopt a horizontal perspective.In terms of methods,we should connect the ancient and modern times,and integrate China and foreign countries.In terms of the use of historical materials,we should not only dig materials in detail,but also return to the historical context.Only in this way can China make more achievements in the study of art history on the one hand,and be recognized by other countries in the world on the other hand.

关 键 词：艺术史 中国方式 中国经验 学术姿态 

分 类 号：J02[艺术—艺术理论]