美学视域下的青绿山水画《桃源仙境图》语义探究  

On the Semantics of the Green Landscape Painting Taoyuan Wonderland from the Perspective of Aesthetics

作　　者：杨桂琴[1] Yang Guiqin(Harbin Institute,Harbin,Heilongjiang 150000,China)

机构地区：[1]哈尔滨学院,黑龙江哈尔滨150000

出　　处：《黑龙江工业学院学报（综合版）》2021年第9期148-152,共5页Journal of Heilongjiang University of Technology(Comprehensive Edition)

基　　金：黑龙江省哲学社会科学规划一般项目“《二十四画品》美学视域下的中国画当代精神构建研究”(项目编号:20YSB046)。

摘　　要：赏析美学视域下的《桃源仙境图》,其主题鲜明、取景立意优美雅致;章法格调富有节奏感、韵律感,景象活力充沛;笔墨设色俊爽、明丽,多姿多彩;画风严谨精细,集诸家技艺与个性风格之长等层面的艺术格调,具有《二十四画品》所阐释的气韵、神妙、高古、苍润、清旷、幽邃、健拔、空灵等绘画要领的鲜明特征。辨析此图之语义,企及为中国山水画古为今用、推陈出新、构建当代精神的探讨研究有所启迪。When the Taoyuan Wonderland is appreciated from the perspective of aesthetics,it is found that its theme is distinct,and its framing conception is beautiful and elegant.The style of composition is full of rhythm,and the scene is full of vitality;the coloring of its painting is clear,bright and colorful.The painting style is rigorous and meticulous,showing a distinct artistic touch by combining the artistic style of various skills and individual styles.What’s more,it has the distinctive features of the painting essentials illustrated in Twenty-four Paintings,such as charm,magic,high antiquity,vigorous and smooth,clear and open,deep and quiet,robust and straight,and peace and quiet,etc.The purpose of this paper is to provide reference for today's Chinese landscape painting by discriminating the semantics of this picture,so that it can bring some creative efforts to today's Chinese landscape painting,thereby providing some enlightenment for the discussion and research of constructing contemporary spirit.

关 键 词：美学视域 桃源仙境 文化语义 

分 类 号：J205[艺术—美术]