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作 者:田建民[1] TIAN Jianmin(College of Literature,Hebei University,Baoding,Hebei 071002,China)
出 处:《河北大学学报(哲学社会科学版)》2021年第5期12-25,共14页Journal of Hebei University(Philosophy and Social Science)
基 金:河北大学燕赵文化研究重大项目(2020Z06)。
摘 要:把1940年代初出现在延安的暴露性文学潮流称为"延安文艺新潮"是不合适不确切的。因为这股潮流并不"新",它其实是五四启蒙文学传统在特殊历史语境下的延续或再现。尽管这些暴露性作品表现了以科学理性反对封建保守的现代意识,反映了特定历史时期的某种社会生活侧面及特定知识群体的真实的思想、情感与心态。但因其个性主义的诉求与当时历史所要求的集体主义不相适宜,加之其不适当地把农民和工农干部当成讥讽与批判的对象,导致二者之间出现了严重的矛盾对立。所以,完全否认其文学价值与积极意义,或抛开历史而谈其现代意识与独特贡献,都是有违历史事实的一偏之见。It is inappropriate and inaccurate to call the exposed literary trend in Yan’an in the early 1940 s as “Yan’an literary new trend”.Because this trend is not “new”,it is actually the continuation or reappearance of the May 4th Enlightenment literary tradition in the special historical context.Although these exposed works show the modern consciousness of opposing feudalism and conservative with scientific reason, they reflect the real thoughts, emotions and mentality of certain social life sides and specific knowledge groups in a specific historical period.However, its individualistic appeal was not suitable for the collectivism required by the history at that time, and it took the peasants and workers and peasants cadres as the objects of ridicule and criticism, which led to a serious contradiction between them.Therefore, it is against the historical facts to completely deny its literary value and positive significance, or to talk about its modern consciousness and unique contribution instead of history.
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