现代德语文学中的声音展演--以塞壬变体为例  

A Case Study of the Voice Themes in the German Modern Literature:The Sirens Variants

作　　者：王炳钧 Wang Bingjun(Foreign Studies College,Hunan Normal University,Changsha,Hunan Province,China;Foreign Literature Research Institute,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]湖南师范大学外语学院,湖南长沙410081 [2]北京外国语大学外国文学研究所,北京100089

出　　处：《外国文学》2021年第6期101-110,共10页Foreign Literature

摘　　要：本文尝试从荷马史诗中的塞壬神话传说入手,结合声音理论,以三组塞壬变体文本(歌德、席勒,克莱斯特、霍夫曼,里尔克、卡夫卡)为例,考察18世纪末期以来声音问题在德语文学中的展演;在历史语境中讨论:一、自然之声与人的构想的关联;二、神性、病态与艺术定位的关系;三、声音的消遁与主体幻象游戏。Via the lens of the myth of Sirens in Homer’s epics,this article analyzes three groups of variant texts of the Sirens legend(Goethe and Schiller,Kleist and Hoffmann,Rilke and Kafka),and explores the theme of voice in German literature since the late 18th century.Based on the historical context,this article discusses(1)the relationship between the voice of nature and human conceptions;(2)the correlation between divinity,morbidity and artistic positioning;(3)the dissipation of the voice and the phantom game of the subject.

关 键 词：声音 自然性 动物性 沉默 感知 

分 类 号：I516[文学—其他各国文学]