中国传统艺术思想中的“游戏”观念  

On the Concept of“Game”in Chinese Traditional Art Thoughts

作　　者：洪畅[1] HONG Chang(School of Communication,Tianjin Foreign Studies University,Tianjin 300204,China)

机构地区：[1]天津外国语大学国际传媒学院,天津300204

出　　处：《美育学刊》2021年第6期24-32,共9页Journal of Aesthetic Education

基　　金：国家社会科学基金艺术学重大项目“中华传统艺术的当代传承研究”(19ZD01);天津市“国际汉语文化教育与传播”科研创新团队的阶段性成果。

摘　　要：中国传统艺术思想中包含着丰富的关于“游戏”的讨论,儒家思想主张的“游于艺”和道家哲学提出的“逍遥游”,在强调摆脱物欲和超越技法的基础上,注重艺术活动所能通达的生命境界与精神境界。近古以降,“游戏翰墨”的创作观念突破了传统儒道哲学“游”而不“戏”的理性束缚,张扬着传统文人对心灵自由的大胆追求和游戏人生的个性精神。贯穿于古代社会休闲生活的“玩味”之“玩”,更集中地体现了中国哲学“天人合一”的诗性智慧和传统文人从容诗意的生存模式。与西方的“游戏说”相比,中国传统艺术思想中的游戏观念彰显着中国文化的思维特性与民族精神。The concept of“game”has been frequently discussed in Chinese traditional art thoughts.The philosophies of“activities rooted in the Six Arts”advocated by Confucianism and“Xiao Yao You”advocated by Taoism focus on the realm of life and spiritual realm that can be reached by artistic activities on the basis of emphasizing getting rid of material desires and transcending techniques.Since ancient times,the creative concept of“You Xi Han Mo”has broken through the rational restraint of traditional Confucian and Taoist philosophies of“You”instead of“Xi”,which publicizes the bold pursuit of spiritual freedom by traditional literati and the individual spirit of playing life.The“Wan”of“Wan Wei”that runs through the leisure life of ancient society embodies the poetic wisdom of Chinese philosophy,the harmony between man and nature and the calm and poetic survival mode of traditional literati.Compared with the Western Game Theory,the concept of game in Chinese traditional art thoughts highlights the thinking characteristics and national spirit of Chinese culture.

关 键 词：传统艺术思想 游戏观念 生命境界 诗性智慧 

分 类 号：J021[艺术—艺术理论]