胡塞尔现象学与艺术家审美意识  

Husserl’s Phenomenology and Artists’Aesthetic Consciousness

作　　者：高译[1] Gao Yi(School of Arts,Peking University,Beijing 100871,China)

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《北京大学学报（哲学社会科学版）》2021年第6期69-74,共6页Journal of Peking University(Philosophy and Social Sciences)

摘　　要：艺术审美意识是艺术家感性和理性的思维活动。胡塞尔现象学中对艺术家的审美意识有一定的研究分析。艺术家的审美意识决定因素就在于其对感性和理性思维的准确把握。艺术家的审美追求、审美选择、审美指向均来自其审美意识的潜在"意向性"和"功能性"指令,即现象学中的"内意识""内知觉"等因素的活动,它是艺术家审美判断中的重要"神经"。艺术家如何把控与运用好"意向性"与"功能性"作用将会直接关系到艺术家艺术创造的成败。艺术家通过对敏锐的审美意识的把控来指向其审美理想所需目标,达到艺术家审美创造的最终结果。Aesthetic consciousness in artistic aesthetics is an artist’s perceptual and rational thinking activity.In Husserl’s phenomenology,there is some research and analysis regarding the artists’aesthetic consciousness.The decisive factor of an artist’s aesthetic sensory consciousness lies in his/her accurate control of perceptual and rational thinking.An artist’s aesthetic pursuit,aesthetic choice,and aesthetic orientation are all rooted in the latent"intentional"and"functional"instructions from his/her sensory consciousness,which is the activities of such factors as"inner consciousness"and"inner perception"in phenomenology.It is the critical"nerve"in an artist’s aesthetic judgment.How an artist controls and makes good use of the effects of"intentionality"and"functionality"will directly affect the success or failure of his/her artistic creation.If an artist directs to the desired goal of his/her aesthetic ideals by controlling keen sensory consciousness,he/she will achieve the final result of his/her aesthetic creation.

关 键 词：胡塞尔 审美意识 意向性 指向性 艺术家 

分 类 号：B835[哲学宗教—美学]