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作 者:张小玲[1] Zhang Xiaoling(College of Foreign Languages,Ocean University of China,Qingdao 266100,China)
机构地区:[1]中国海洋大学外国语学院,山东青岛266100
出 处:《中国海洋大学学报(社会科学版)》2022年第1期126-132,共7页Journal of Ocean University of China(Social Sciences)
基 金:国家社会科学基金项目“日本近代反战文学研究(1894—1945)”(20BWW017)。
摘 要:1945年日本战败后,日本文学批评界在追究文学者战争责任的同时,也对日本近代的反战文学进行了肯定和梳理。70年代后,反战文学研究开始深入,进入个案化、问题化的阶段。迈入新世纪以来,反战文学研究深度及研究视角皆有明显发展。在反战文学与殖民地的关系研究,无产阶级反战作家的资料整理及再审视,世界文化视野下的反战文学比较研究等方面有诸多成果问世。日本反战文学研究的最大特征是注重与"当下"的联系。不过,由于种种原因,反战文学研究作为战争文学研究的一个方面,始终没有成为日本学界的关注热点。After Japan′s defeat in 1945,Japanese literary critics not only investigated the war responsibilities of the writers,but also affirmed and sorted out Japan′s modern anti-war literature.After the 1970 s,anti-war literature research began to deepen into a stage of case-study and problem-study.Since the beginning of the 21 st century,the depth and perspectives of anti-war literature research have developed significantly.Achievements have been scored in the study of the relationship between anti-war literature and the colonies,the compilation and re-examination of proletarian anti-war literature,and the comparative study of anti-war literature from the perspective of world culture.The most prominent feature of Japanese anti-war literature research is its emphasis on the connection with"the present".However,for a variety of reasons,the study of anti-war literature,as a part of the study of war literature,has not become the focus of attention in the Japanese academic circles.
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