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作 者:卢晓河[1] Lu Xiaohe(School of Chinese Language and Literature,Longdong University,Qingyang 745000,China)
出 处:《西北民族大学学报(哲学社会科学版)》2021年第6期159-167,共9页Journal of Northwest Minzu University(Philosophy and Social Sciences)
摘 要:范仲淹并非隐士,也从未隐居,他自称“儒隐”,在地方为官也有“吏隐”思想的流露。他无论居于朝廷还是离京外仕,无论参政还是贬谪,均有诸多诗篇表现了山水隐逸之情。宋型文化造就了士大夫在“出”与“处”之间界限的模糊感,外仕为官、治世济民亦不忘徜徉山水、寻仙访道,诗意人生似“出”又似“处”,既实现了儒家拯世济众的理想,又不忘世外山水情致的体味。宋代文士对待生命的豁达之态,尤其在面对现实、表现苦难哀伤情绪时,独具宋人特质。范仲淹表现隐逸情趣的诗,没有失意之愤,只有潇洒超逸的旷达意趣,表现出的开阔胸襟体现了他志尚高远的精神境界,是儒、道思想相融的结果,也是宋型文化影响的必然产物。Fan Zhongyan was not a hermit and never lived in seclusion.He called himself“a Confucian hermit”.While serving locally,he also showed the thought of“official seclusion”.However,whether he served in the imperial court or was out of the capital as a local official,whether he participated in the administration or was relegated,many of his poems expressed the feelings of leading the life of a hermit.The culture of Song Dynasty enhanced the indistinction between standing aloof from worldly affairs and conducting themselves in society for the literati and officialdom.While serving outside the capital,handling state affairs and helping the people,they did not forget to roam around mountains and rivers,seek the immortals and visit Taoists.Their poetic life displayed both standing aloof and conducting themselves,which not only fulfilled the Confucian ideal of saving the world and helping the people,but also maintained the leisurely taste of the life of a hermit.The literati's optimistic attitude to life in the Song Dynasty,especially in the face of reality and while expressing hardship and sadness,has the unique characteristics of the people in Song Dynasty.Fan Zhongyan's reclusive poems are free from frustration,and are full of natural,unrestrained and optimistic interest and charm,which is the embodiment of his lofty spirit,the result of the fusion of Confucianism and Taoism,and the inevitable result of the influence of Song Dynasty culture.
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