解构论的审美观  

Deconstruction of Aesthetics

作　　者：徐珂[1] XU Ke(The Research Laboratory,The Central Committee of The Communist Party School of China(China National School of Administration),100091,Beijing,China)

机构地区：[1]中央党校(国家行政学院)研究室,北京100091

出　　处：《北方工业大学学报》2021年第4期81-86,93,共7页Journal of North China University of Technology

摘　　要：解构论从消解话语的隐喻性出发,"颠覆"了哲学和文学的学科分野,认为哲学和文学都是话语"书写"的自由嬉戏,并以此"构建"了自己的审美观。解构论的美学观是多元而又不确定的,其内涵丰富程度同其哲学的深度和广度是一致的。如果以传统语言文字"描述",解构论呈现出最大的自由自觉性、美丑不分、追求完满性、以真代美等审美意蕴。Deconstruction “subverts” the disciplinary distinction between philosophy and literature from the perspective of deconstruction. It holds that both philosophy and literature are free frolic of discourse “writing”, and thus “constructs” its own aesthetic outlook. The aesthetic view of deconstruction is pluralistic and uncertain, and its content richness is consistent with the depth and breadth of its philosophy. If the traditional language is used to “describe”, the deconstruction theory shows the greatest aesthetic meaning, such as freedom, consciousness, beauty and ugliness, pursuit of perfection, and replacing beauty with truth.

关 键 词：解构 隐喻 游戏 书写 

分 类 号：B505[哲学宗教—外国哲学]