从《清平乐》看儒家文化的影响  

On the Influence of Confucian Culture in Serenade of Peaceful Joy

作　　者：崔雪茹[1] CUI Xue-ru(School of Humanities,Southwestern University of Finance and Economics,Chengdu,Sichuan 611130)

机构地区：[1]西南财经大学人文学院,四川成都611130

出　　处：《汕头大学学报（人文社会科学版）》2021年第3期64-70,96,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：西南财经大学2021年研究生教育教学改革专项“马克思主义社会科学方法论素养的实践培育”(2021YJG044)。

摘　　要：电视剧《清平乐》让人们的视线聚焦在了文豪大儒辈出的仁宗盛治。在史实的基础上,《清平乐》加以合理的艺术创作塑造了多个复杂立体的人物形象,如天性仁孝、爱民如子的宋仁宗和叛逆乖张、直率任性的公主赵徽柔。剧中宋仁宗的种种行为体现了儒家的仁爱思想。《清平乐》剧情体现了儒家的纲常伦理思想——父子有亲、君臣有义、夫妇有别、长幼有序、朋友有信,体现了宋朝士大夫“大同社会”的理想抱负,尊儒崇教的治学风范和重气节礼仪的自我规范。The TV series Serenade of Peaceful Joy draws public attention to the prosperity of great writers and scholars during the reign of Emperor Renzong of the Song Dynasty.On the basis of historical facts,Serenade of Peaceful Joy creates a number of complex three-dimensional figures,such as Emperor Renzong who is filial and benevolent,and Princess Zhao Huiru who is rebellious,perverse,and capricious.In the play Emperor Renzong embodies the Confucian thought of benevolence.The story reflects the Confucian morality,advocating affection between fathers and sons,affiliation between monarchs and courtiers,distinction between husbands and wives,order between seniors and juniors,and trust between friends.It also reflects the Song scholars’ambition of pantisocracy,respect for Confucianism and emphasis on dignity and etiquette.

关 键 词：儒家 宋仁宗 仁爱精神 五伦 

分 类 号：B222[哲学宗教—中国哲学]