中华传统审美意识四原理  

Four Principles in Traditional Chinese Aesthetic Awareness

作　　者：王柯平[1] WANG Ke-ping(Institute of Philosophy,Chinese Academy of Social Science,Beijing 100732,China)

机构地区：[1]中国社会科学院哲学研究所,北京100732

出　　处：《美育学刊》2022年第1期25-36,共12页Journal of Aesthetic Education

摘　　要：以儒、道、墨、释(禅宗)诸家为主要根源的中华传统审美意识,虽然各自理路与特征相对有别,但在目的论意义上,其核心关切均指向理想人格修养与审美敏悟能力相融合的艺术化人生。儒家基于礼乐文化的传统,持守中和为美的原理。道家基于道法自然的理念,推崇自然为美的原理。墨家基于崇俭尚用的立场,力倡功用为美的原理。禅宗基于大乘空观的思想,标举空灵为美的原理。这四项原理因革相济,绵延至今。The traditional Chinese aesthetic awareness, with Confucianism, Daoism, Mohism and Chan Buddhism as its main sources, is somewhat distinct from each other in terms of rationales and characteristics. However, they all share a teleological concern directed to the artistic life that features an integration of personal cultivation and aesthetic percipience. Confucianism is based on the rite-music culture, and affirms the principle of equilibrium harmony as beauty. Daoism is grounded on the idea of the Dao following natural spontaneity, and commends the principle of spontaneous naturalness as beauty. Mohism is deep-set in the worshiping of usage and frugality, and promotes the principle of functional usefulness as beauty. Chan Buddhism is rooted in the Mahayana notion of emptiness, and acclaims the principle of subtle void as beauty. These four principles remain open to continuous inheritance and renovation so that they retain a dynamic duration up till now.

关 键 词：理想人格 中和为美 自然为美 功用为美 空灵为美 

分 类 号：B83-02[哲学宗教—美学]